Family and Friends,


In this post, I want to share an amazing story about incredible

inspiration given to George Friderich Händel the composer.  Probably

 most people are familiar with the Hallelujah chorus.  It is oftentimes

sung during the Christmas season and is part of Handel’s Messiah. My

husband and I especially love this music.  To us it is edifying because it

  is set to scripture, especially prophesies of Christ’s first coming.  It’s

quite a story how the Lord blessed Handel to write the music and

prospered his servant financially afterwards.

It is a wonderful success story. Handel drove himself relentlessly, trying

to recover from one failure after another,

and his health began to fail.

In 1741 he was swimming in debt and it seemed certain he would land in

debtor’s prison where those who could not pay their debts were taken.

 In April of that year, he gave what he considered his farewell concert.

Miserably discouraged, he felt forced to retire from public activities at

the age of 56.  Then two unforeseen events converged to change his life.

A wealthy friend, Charles Jennings, gave Handel a libretto based on the

life of Christ, taken entirely from the Bible.  He also received a

commission from a Dublin charity to compose a work for a benefit


Handel set to work composing on August 22 in his little

house in London.  He grew so engrossed in his work he rarely left his

room, hardly stopping to eat.

Within six days Part One was complete.  In

nine days more he had finished Part Two, and in another six, Part  Three.

The orchestration was completed in another two days.  In all, 260 pages

of manuscript were filled in the remarkably short time of 24 days.

Sir Newman Flower, one of Handel’s many biographers, summed up the

consensus of history: “Considering the immensity of the work and the

short time involved, it will remain, perhaps forever, the greatest feat in

the whole history of music composition.



Handel’s title for the commissioned work was, simply, Messiah. Handel

never left his house for those three weeks.  A friend who visited him as

he composed found him sobbing with intense emotion.  Later, as Handel

groped for words to describe what he had experienced, he incorporated

some of the words of Paul, saying, “Whether in the body or out of my

body when I wrote it I know not.”

Messiah premiered on April 13, 1742, as a charitable benefit, raising 400

pounds and freeing 142 men from debtor’s prison. The King of England

attended the performance and as the first notes of the triumphant

Hallelujah Chorus” rang out, the king rose to his feet.  Following royal

protocol, the entire audience stood too, initiating a tradition which has

lasted for more than two centuries.

Soon after this, Handel’s fortunes  began to increase dramatically, and

his hard-won popularity remained constant until his death.

By the end of his long life, Messiah was firmly established in the standard

repertoire.  His influence on other composers would be extraordinary.

When Haydn later heard the “Hallelujah Chorus,” he wept like a child and

exclaimed, “He is the master of us all!”

But it is evident that this great

composition was the work of Someone greater than just Handel. Handel

was the conduit through which this masterpiece flowed, but it was God

Himself Who seems to have authored it. It is He Who is the real Master of

all who seek Him and allow Him to work through them!

Handel personally conducted more than thirty performances of Messiah.

Many of these concerts were benefits for the Foundling Hospital of which

Handel was a major benefactor.  The thousands of pounds Handel’s

performances of Messiah raised for charity led one biographer to note,

Messiah,” has fed the hungry, clothed the naked, fostered the orphan

more than any other single musical production in this or any country.”

Another wrote how that the works of no other composer have so largely

contributed to the relief of human suffering.

Handel was a devout follower of Christ and his morals were above

reproach.  Known universally for his generosity and concern for those

who suffered, Handel donated freely to charities even in times when he

faced personal financial ruin.  He was a relentless optimist whose faith in

God sustained him through every difficulty.

His close friend James Moore Smythe wrote,

“He died as he lived-a good Christian, with a true sense of

his duty to God and to man, and in perfect charity with all the world.”

Handel was buried in Westminster Abbey, with over 3,000 in attendance

at his funeral.  A statue erected there shows him holding the manuscript

for the solo that opens Part Three of “I know that my Redeemer liveth.”

Isn’t it wonderful to know that our Redeemer lives and was born to this

very end?

Have a great and glorious Christmas and holiday season!


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